The Weimar-based, multilingual Poetryfilm Magazine generated as part of the fantastic Poetryfilmkanal website this week issued a new call for submissions. For their third annual issue, they’re looking for essays on Typografie und das Wort im Bild — Typography and Text as Image.
We are looking for essays dealing with the following questions: Is a text in a poetry film purely functional and underlines or explains the meaning of sound and image? What is the difference between a font in a book and a font in the form of a moving image? What kind of different or additional meaning(s) does it create? What is the relation between a text and other elements that appear in a film – or together in a frame? To which extent does this relation turn the text into a protagonist of the film itself? Why does a filmmaker choose for a particular font? What is the relation between sound, voice-over and other visual elements? How is the balance between reading, watching and listening?
As in the past two editions we are interested in a direct connection to the process and practice of filmmaking. We encourage everyone interested to send us their contributions (up to 10.000 signs and without footnotes if possible) until the end of July 2017.