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  • Dave Bonta 2:31 pm on March 14, 2011 Permalink | Reply
    Tags: , festivals, ,   

    New directories: poetry film festivals, and free-to-use audio and video 

    I’ve just posted two new pages of resources for videopoem and poetry-film makers.

    The Poetry film festival list includes websites and, where available, Facebook pages for regularly occurring poetry film festivals. Left off the list, at least for now, are all the more general film festivals to which poetry films might be submitted.

    Web resources for videopoem makers includes information on determining what’s free to use, as well as links to free and Creative Commons-licensed film and video, spoken word, sound and music collections. I also include a link to the software I use for downloading videos from the web, but I welcome other suggestions.

    Please use the comments here or at the respective pages to alert me about other links I should include. I would also encourage people who regularly use Creative Commons-licensed material to follow the Golden Rule and apply a “copyleft” license to your own work, as well. (I don’t always remember to do this myself, but I should.)

     
  • Heather Haley 9:18 am on January 20, 2011 Permalink | Reply
    Tags: , festivals, , ,   

    2011 Visible Verse Festival Call for Entries and Official Guidelines 

    • Visible Verse seeks videopoems, with a 15 minutes maximum duration.
    • Either official language of Canada is acceptable, though if the video is in French, an English-dubbed or-subtitled version is required for consideration. Videos may originate in any part of the world.
    • Works will be judged by their innovation, cohesion and literary merit. The ideal videopoem is a wedding of word and image, the voice seen as well as heard.
    • Please, do not send documentaries as they are outside the featured genre.
    • Videopoem producers should provide a brief bio, full name, and contact information in a cover letter. There is no official application form nor entry fee.

    Send, at your own risk, videopoems and poetry films/preview copies (which cannot be returned) in DVD NTSC format to: VISIBLE VERSE c/o Pacific Cinémathèque, 200-1131 Howe Street, Vancouver, BC, V6Z 2L7, Canada. Selected artists will be notified and receive a standard screening fee.

    For more information contact host and curator Heather Haley at hshaley[at]emspace[dot]com or visit the website.

     
    • Heather Haley 5:55 pm on January 21, 2011 Permalink | Reply

      Thanks for helping spread the word Dave.

      • Dave 7:14 pm on January 21, 2011 Permalink | Reply

        My pleasure. Who knows — I might even get off my butt and submit one of my own crappy videopoems this year. :)

    • Heather Haley 7:41 pm on January 21, 2011 Permalink | Reply

      Well, despite the scatological reference, or references, I look forward to viewing your videopoems. ;-)

  • Dave Bonta 11:38 pm on December 15, 2010 Permalink | Reply
    Tags: festivals, , ,   

    Heather Haley reports on Visible Verse festival 

    The organizer and instigator of Visible Verse blogs about this year’s special restropective of the first ten years of what has become the premiere videopoetry event in North America. A sample:

    Friday night’s Vancouver Videopoem Festival 1999-2002 retrospective screening was the biggest challenge as we had to mediate the clunkiest and oldest formats: ¾ inch tape and beta. I rolled up my sleeves and got down to business around 9 AM. At 6, PC Art Director Steve Chow expressed shock that I was still there. “Real time, my man!” I said. “No way around it. And remind me never to do this ever again.” It was nerve wracking!

    Read the rest.

     
  • Dave Bonta 11:00 pm on September 24, 2010 Permalink | Reply
    Tags: , festivals   

    New Poetry in Film Festival debuts in Melbourne 

    Last Sunday I happened on the website of the Poetry in Film Festival — as it happened, the very day the festival was to be held. It sounds really neat. The unique thing about it was that all contestants were given the very same poem to interpret: “The Briefcase Phenomenon,” by Libby Hart. Films had to be between 4 minutes and 7 minutes in length, and could be in “any genre including drama, comedy, horror, sci-fi, documentary, music video, animation or experimental. Words from the poem can be used within the film but this is not a requirement.” (See the complete rules.) Judging by the brief descriptions, the finalists seem quite different from one another.

    With sponsorship from the Australian Poetry Centre, ABC Radio National, and a major Australian movie theater chain, this hardly sounds like a fringe event. However, a Google news search turns up no coverage of it whatsoever. I hope it was a success.

     
  • Dave Bonta 10:54 am on September 17, 2010 Permalink | Reply
    Tags: , festivals, ,   

    New “motionpoems” to be unveiled October 8 in Minneapolis 

    “Motionpoems” is the term preferred by filmmaker Angella Kassube and poet Todd Boss at motionpoems.com for what the rest of us variously call videopoems, film poems, cinepoetry, etc. Kassube and Boss are responsible for a number of quite lovely films illustrating not only Boss’s own poems, but a growing number of others’ as well. They’re helping to raise the bar for mainstream poetry animation in the U.S.

    Click through to their website for a description of the upcoming screening event (which I can’t copy-and-paste from or directly link to because it’s a Flash-based site). The list of films to be screened looks tantalizing — poems by Jane Hirshfield, Terese Svoboda, Alicia Ostriker, Thomas Lux, and Robert Bly are among those featured. I hope we can expect to see them at motionpoems.com and on YouTube after their Minneapolis debut.

    (Update) Angella Kassube provided some additional detail about the event in an email. She wrote:

    The really groovy thing about our screening is it is actually a great discussion about poetry and interpreting poetry. Everyone talks about how their piece came together, the audience is engaged and they ask great questions and have great comments. It’s an incredible evening—we expect about 150 people to be there.

    “It is a lot of work,” she added about the motionpoems project in general, “but Todd and I just keep going.” I hope anyone in the upper Midwest who can make this screening will turn out and support them.

     
  • Dave Bonta 11:38 am on July 22, 2010 Permalink | Reply
    Tags: , festivals   

    Congratulations to Alastair Cook for having two of his videopoems selected for the 5th ZEBRA Poetry film Festival in Berlin, which will be held October 14-17. Both films have been featured at Moving Poems: “Emily Melting” (a poem by Gerard Rudolf) and “Scene” (a poem by Morgan Downie).

     
  • Dave Bonta 2:50 pm on June 24, 2010 Permalink | Reply
    Tags: , festivals, , , ,   

    SEE THE VOICE: Visible Verse Call for Entries 

    Heather Haley sent along this press release:

    SEE THE VOICE – Visible Verse 10th Anniversary Celebration & Festival Call for Entries and Official Guidelines

    Please send in your videopoem by Sept. 1, 2010.

    Visible Verse logo

    • Visible Verse seeks videopoems, with a 15 minutes maximum duration.
    • Either official language of Canada is acceptable, though if the video is in French, an English-dubbed or -subtitled version is required for consideration. Videos may originate in any part of the world.
    • Works will be judged by their innovation, cohesion and literary merit. The ideal videopoem is a wedding of word and image, the voice seen as well as heard.
    • Please, do not send documentaries as they are outside the featured genre.
    • Videopoem producers should provide a brief bio, full name, and contact information in a cover letter. There is no official application form nor entry fee.

    Send, at your own risk, videopoems and poetry films/preview copies (which cannot be returned) in DVD NTSC format to: VISIBLE VERSE c/o Pacific Cinémathèque, 200-1131 Howe Street, Vancouver, BC, V6Z 2L7, Canada. Selected artists will be notified and receive a standard screening fee.
    For more information, see below, or contact Heather Haley at: hshaley@emspace.com


    In 1999 the Vancouver Videopoem Festival, the first of its kind in Canada, began as an effort of the Edgewise ElectroLit Centre, a non-profit literary arts organization dedicated to expanding the reach of poetry through new media with programs such as Telepoetics Vancouver and the Edgewise Café electronic magazine. The VVF became critically regarded owing to its progressive regard for spoken word in cinema, presenting poets both in performance and on the big screen. The audience could explore the merits and distinctions of poetry rendered in these two forms, stage and screen, sparking new dialogue as to the essential nature of poetry. The festival then built upon that foundation, with widened explorations into poetry cinema across national frontiers. They presented significant new works from Europe and the Americas, and continued to offer Canadian audiences a remarkably broad selection of new videopoems from their own country.

    Pacific Cinémathèque has been the VVF’s partner since 2000 and throughout the dissolution of the Edgewise. Founder Heather Haley continues to provide a sustaining venue for the presentation of new and artistically significant videopoetry as host and curator of SEE THE VOICE: Visible Verse. And owing to Vancouver’s strength in the film and television production industries, Haley has been able to cultivate critical interest between filmmakers and poets, with positive consequences for both.

    To celebrate entering their second decade of showcasing videopoetry, Haley and the Pacific Cinémathèque are presenting two screenings this year as well as poetry performances, a panel discussion and an awards gala, Friday Nov. 19 and Saturday Nov. 20.

     
  • Ren Powell 9:50 am on May 28, 2010 Permalink | Reply
    Tags: festivals,   

    Festivals with Videopoetry 

    Biannual festival Zebra in Germany http://www.literaturwerkstatt.org/
    VideoBardo In Argentina http://www.videopoesia.com/

    (I am having a difficult time finding annual or biannual festivals. Seems most are one-offs and it’s not always easy to find the year on the webpage. A lot of information out there is terribly outdated.)

     
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