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  • Heather Haley 6:57 pm on February 8, 2013 Permalink | Reply
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    VISIBLE VERSE FESTIVAL 2013 Call for Entries and Official Guidelines 

    • VVF seeks videopoems with a 12 minutes maximum duration.
    • Works will be judged by their innovation, cohesion and literary merit. The ideal videopoem is a wedding of word and image, the voice seen as well as heard.
    • Please do not send documentaries as they are outside the featured genre.
    • Either official language of Canada is acceptable, though if the video is in French, an English-dubbed or-subtitled version is required. Videopoems may originate in any part of the world.
    • Please submit by sending the URL for your videopoem along with a brief bio, full name, and contact information to Artistic Director Heather Haley at hshaley@emspace.com. There is no official application form nor entry fee.

    VISIBLE VERSE FESTIVAL Oct. 2013, Vancouver, BC
    DEADLINE: Aug. 1, 2013

    See the website for more, including a postmortem on Visible Verse 2012. To view more videopoems by various artists, visit Visible Verse on Facebook.

     
  • Dave Bonta 11:49 am on November 7, 2012 Permalink | Reply
    Tags: , Heather Haley, ,   

    Visible Verse Festival organizer posts detailed “post-mortem” 

    Heather Haley, indefatigable organizer of Vancouver’s Visible Verse Festival, has just blogged a detailed account of this year’s festival, complete with descriptions of, and links to, each poetry film in the lineup.

    “The best year yet!” is what I was told repeatedly. Good turnout, a bit of press coverage, and wonderful new staff to work with, the festival is definitely entering a new phase. Changing the date from November to October, immediately following the Vancouver International Film Festival helped raise our profile, and get more bums in the seats.

    Go read the rest.

     
  • Heather Haley 11:41 am on August 17, 2012 Permalink | Reply
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    Vancouver’s Visible Verse Festival goes global! 

    Reposted from the Visible Verse Facebook page

    We have lots of exciting changes in store for this year’s Visible Verse Festival! The date has been moved from November to Saturday, October 13, directly following the Vancouver International Film Festival and the program, still in the works, will include entries from 56 international artists and 100 videopoems from Australia, Belgium, Denmark, France, Germany, Israel, Italy, Mexico, Norway, Portugal, Poland, Russia, the U.S. and Canada. And for the first time, we are exchanging videopoems with Argentina’s VideoBardo Festival and featuring a selection from their 2012 program. As well, we are happy to host Alberta artist Phillip Jagger who will perform his poetry and present “Reigning In Chaos: Words Into Video”, a hands-on workshop demonstrating the use of handcrafted video, a Kaos pad, iPod and video jamming software.

    With videopoetry and poetry film festivals and sites popping up all over the world, Vancouver and Pacific Cinematheque’s Visible Verse Festival maintains its position as North America’s sustaining venue for artistically significant videopoetry. As founder of the Vancouver Videopoem Festival and Visible Verse, curator and host Heather Haley has provided a venue for the genre since 1999 and vigorously contributed to the theoretical knowledge of the form. Haley is to be honored for her work with a Pandora Literary Award and has been invited to present a keynote address at the 4th VideoBardo Festival/Conference in Buenos Aires in November on the theme of “Videopoetry; New Perspectives on an Interdisciplinary Practice.”

     

    Pacific Cinémathèque website

     

    Pacific Cinematheque map
    view on Google Maps

     
  • Heather Haley 5:27 pm on March 23, 2012 Permalink | Reply
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    Call for submissions: 2012 Visible Verse Festival 

    FYI, notice no more DVDs necessary for previews.

    VISIBLE VERSE FESTIVAL @ Pacific Cinémathèque in Vancouver, Canada

    Call for Entries and Official Guidelines

    • VVF seeks videopoems with a 12 minutes maximum duration.
    • Works will be judged by their innovation, cohesion and literary merit. The ideal videopoem is a wedding of word and image, the voice seen as well as heard.
    • Please do not send documentaries as they are outside the featured genre.
    • Either official language of Canada is acceptable, though if the video is in French, an English-dubbed or-subtitled version is required. Videopoems may originate in any part of the world.
    • Please submit by sending the URL for your videopoem along with a brief bio, full name, and contact information to hshaley@emspace.com. There is no official application form nor entry fee.

    DEADLINE: Sept. 1, 2012

    For more information contact Artistic Director Heather Haley at: hshaley@emspace.com

    Reposted from the Visible Verse group page on Facebook.

     
    • martha mccollough 2:36 am on April 17, 2012 Permalink | Reply

      I would like to submit three short videopoems for your consideration.
      I have posted them on youtube, and here are the urls:
      http://youtu.be/IY2fXJ9S-1U
      http://youtu.be/fk1i108v-20
      http://youtu.be/e1qtAFRUbpE

      I am a painter and animator living in Boston, Massachusetts. I have a long-standing interest in artists books, and have recently become interested in using text as a basis for animation.
      These texts began as pages from an erasure project.

      Thank you so much for taking the time to look at these. I am just beginning to explore this genre, and any comments would be welcome.

      Martha McCollough

      • Dave Bonta 1:50 pm on April 19, 2012 Permalink | Reply

        Martha, these are very interesting text animations, and I would encourage you to email the links to Heather as she requires for submissions to Visible Verse. For my part, I’ll certainly add at least the first and third to the queue for posting at the Moving Poems main site.

        • martha mccollough 3:18 am on April 23, 2012 Permalink | Reply

          Oh, sorry, I got confused—I thought I was emailing heather. How embarrassing—But thank you! I’m so pleased that you’re posting them!

  • Dave Bonta 2:28 pm on November 4, 2011 Permalink | Reply
    Tags: blogs, , , Heather Haley, ,   

    Videopoetry discussions elsewhere: text vs. voice, art or entertainment, and a new weekly column 

    Several interesting discussions of videopoetry theory and practice have popped up around the blogosphere over the past several weeks, initiated by videopoets whose names should be familiar to followers of Moving Poems.

    1. Using text vs voice in videopoems

    Nic Sebastian’s thoughtful blog post responded to a point in Tom Konyves’ Videopoetry: A Manifesto about the use of visual text, and Tom stopped by to clarify what he meant in the comments. A fascinating conversation ensued.

    2. Visible Verse Festival 2011 • Art or Entertainment; do I really have to choose?

    Heather Haley, organizer of the Visible Verse festival in Vancouver (which I hope all Moving Poems followers from the Pacific northwest will be attending this weekend!), shares a bit of her thinking behind the festival in particular and the genre in general at her blog One Life.

    Videopoetry or poetry video. Film or video? And then there is cinema to consider. I find semantics tedious. My reaction to the insistence there be a formal definition of the genre, is, why? Don’t we have enough divides? We live in the age of the mashup. Isn’t that merging? Fusion? Transformation? In any case, I have faith in the poet’s ability to render his or her poem. Via video or film, a poet will explore, push the boundaries of image, language and sound. Whether it’s illustrative or conceptual, I trust the poet to make choices, to create a work according to his individual style and sensibilities. Vision. While I can’t abide cliché or literal translations, surely there’s room for both narrative and non-narrative treatments. One man’s execution is another man’s experiment. One man’s amusement is another man’s pith.

    3. “Friday Film and Video Poem” series at Rubies in Crystal

    Aside from a scattering of brief, general essays and blog posts, plus occasional process notes from videopoets, there’s been an almost total lack of meaningful literary/film criticism of videopoetry and related genres focusing on individual films and artists. Brenda Clews has begun to fill this void with a weekly series at her blog.

    • A Hundred and Forty Suns by Jonathan Blair

      After the Kafkaesque beginning with insect-like noises that become a mechanical factory of looped wheels and cogs, the organic sound of drumming as the light increases is warm, comforting. And the light is shining, shining into the perception of the animated character who responds with joy, and into the screen where we as viewers feel that pleasure. Ultimately this film imparts joy, beauty, forgiveness, transcendence, the pulse of life renewed anew.

    • ‘immersion /2′ by Sheila Packa and Kathy McTavish

      Unlike traditional Bokeh, there is no foreground subject. Rather we are immersed in an ever-shifting slow-moving background. It is as if she composes abstract expressionist artwork before our eyes, painting with light and colour.

    • ‘Ground’ by Ginnetta Correli

      Ground is hauntingly beautiful, in a disturbing way. In the embracing mindfulness, a poetry of poison, death, loss, and beauty, all of which is natural, found in the natural world, amidst a surreality. We feel cross-currents, disambiguations, and yet the over-arching journey metaphor of Cook’s minimalist poetry, and the bond of love he speaks of, yes, living is like this. Simply a superb film.

    • ‘SHED’ by Christina McPhee

      I consider SHED a genre-crossing piece that brings together a poetry of drawing and video editing. It is a multiplicity, a place of vectors. The nodes and intensities are democratic, without hierarchy; they are nomads drawn into being by the brush of India and acrylic ink and red paint encrusted on the paper by the artist.

     
  • Dave Bonta 2:36 pm on July 5, 2011 Permalink | Reply
    Tags: , Heather Haley, ,   

    Visible Verse Festival 2011 call for submissions 

    Submissions to the Visible Verse Festival in Vancouver are due by September 1. Don’t miss your chance to be part of North America’s premiere videopoetry festival.

    2011 VISIBLE VERSE FESTIVAL
    Call for Entries and Official Guidelines:

    • VVF seeks videopoems, with a 15 minutes maximum duration.
    • Either official language of Canada is acceptable, though if the video is in French, an English-dubbed or-subtitled version is required. Videos may originate in any part of the world.
    • Works will be judged by their innovation, cohesion and literary merit. The ideal videopoem is a wedding of word and image, the voice seen as well as heard.
    • Please, do not send documentaries as they are outside the featured genre.
    • Videopoem producers should provide a brief bio, full name, and contact information in a cover letter. There is no official application form nor entry fee.

    DEADLINE: Sept. 1, 2011

    • Send, at your own risk, videopoems and poetry films/preview copies (which cannot be returned) in DVD NTSC format to: VISIBLE VERSE c/o Pacific Cinémathèque, 200-1131 Howe Street, Vancouver, BC, V6Z 2L7, Canada. Selected artists will be notified and receive a standard screening fee. For more information contact Heather Haley at: hshaley@emspace.com
     
  • Heather Haley 9:18 am on January 20, 2011 Permalink | Reply
    Tags: , , Heather Haley, ,   

    2011 Visible Verse Festival Call for Entries and Official Guidelines 

    • Visible Verse seeks videopoems, with a 15 minutes maximum duration.
    • Either official language of Canada is acceptable, though if the video is in French, an English-dubbed or-subtitled version is required for consideration. Videos may originate in any part of the world.
    • Works will be judged by their innovation, cohesion and literary merit. The ideal videopoem is a wedding of word and image, the voice seen as well as heard.
    • Please, do not send documentaries as they are outside the featured genre.
    • Videopoem producers should provide a brief bio, full name, and contact information in a cover letter. There is no official application form nor entry fee.

    Send, at your own risk, videopoems and poetry films/preview copies (which cannot be returned) in DVD NTSC format to: VISIBLE VERSE c/o Pacific Cinémathèque, 200-1131 Howe Street, Vancouver, BC, V6Z 2L7, Canada. Selected artists will be notified and receive a standard screening fee.

    For more information contact host and curator Heather Haley at hshaley[at]emspace[dot]com or visit the website.

     
    • Heather Haley 5:55 pm on January 21, 2011 Permalink | Reply

      Thanks for helping spread the word Dave.

      • Dave 7:14 pm on January 21, 2011 Permalink | Reply

        My pleasure. Who knows — I might even get off my butt and submit one of my own crappy videopoems this year. :)

    • Heather Haley 7:41 pm on January 21, 2011 Permalink | Reply

      Well, despite the scatological reference, or references, I look forward to viewing your videopoems. ;-)

  • Dave Bonta 11:38 pm on December 15, 2010 Permalink | Reply
    Tags: , Heather Haley, ,   

    Heather Haley reports on Visible Verse festival 

    The organizer and instigator of Visible Verse blogs about this year’s special restropective of the first ten years of what has become the premiere videopoetry event in North America. A sample:

    Friday night’s Vancouver Videopoem Festival 1999-2002 retrospective screening was the biggest challenge as we had to mediate the clunkiest and oldest formats: ¾ inch tape and beta. I rolled up my sleeves and got down to business around 9 AM. At 6, PC Art Director Steve Chow expressed shock that I was still there. “Real time, my man!” I said. “No way around it. And remind me never to do this ever again.” It was nerve wracking!

    Read the rest.

     
  • Dave Bonta 2:50 pm on June 24, 2010 Permalink | Reply
    Tags: , , Heather Haley, , ,   

    SEE THE VOICE: Visible Verse Call for Entries 

    Heather Haley sent along this press release:

    SEE THE VOICE – Visible Verse 10th Anniversary Celebration & Festival Call for Entries and Official Guidelines

    Please send in your videopoem by Sept. 1, 2010.

    Visible Verse logo

    • Visible Verse seeks videopoems, with a 15 minutes maximum duration.
    • Either official language of Canada is acceptable, though if the video is in French, an English-dubbed or -subtitled version is required for consideration. Videos may originate in any part of the world.
    • Works will be judged by their innovation, cohesion and literary merit. The ideal videopoem is a wedding of word and image, the voice seen as well as heard.
    • Please, do not send documentaries as they are outside the featured genre.
    • Videopoem producers should provide a brief bio, full name, and contact information in a cover letter. There is no official application form nor entry fee.

    Send, at your own risk, videopoems and poetry films/preview copies (which cannot be returned) in DVD NTSC format to: VISIBLE VERSE c/o Pacific Cinémathèque, 200-1131 Howe Street, Vancouver, BC, V6Z 2L7, Canada. Selected artists will be notified and receive a standard screening fee.
    For more information, see below, or contact Heather Haley at: hshaley@emspace.com


    In 1999 the Vancouver Videopoem Festival, the first of its kind in Canada, began as an effort of the Edgewise ElectroLit Centre, a non-profit literary arts organization dedicated to expanding the reach of poetry through new media with programs such as Telepoetics Vancouver and the Edgewise Café electronic magazine. The VVF became critically regarded owing to its progressive regard for spoken word in cinema, presenting poets both in performance and on the big screen. The audience could explore the merits and distinctions of poetry rendered in these two forms, stage and screen, sparking new dialogue as to the essential nature of poetry. The festival then built upon that foundation, with widened explorations into poetry cinema across national frontiers. They presented significant new works from Europe and the Americas, and continued to offer Canadian audiences a remarkably broad selection of new videopoems from their own country.

    Pacific Cinémathèque has been the VVF’s partner since 2000 and throughout the dissolution of the Edgewise. Founder Heather Haley continues to provide a sustaining venue for the presentation of new and artistically significant videopoetry as host and curator of SEE THE VOICE: Visible Verse. And owing to Vancouver’s strength in the film and television production industries, Haley has been able to cultivate critical interest between filmmakers and poets, with positive consequences for both.

    To celebrate entering their second decade of showcasing videopoetry, Haley and the Pacific Cinémathèque are presenting two screenings this year as well as poetry performances, a panel discussion and an awards gala, Friday Nov. 19 and Saturday Nov. 20.

     
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