The UN, Beyoncé, Volvo, and Dareen Tatour: What’s at stake in the mainstreaming of poetry videos

What They Took With Them (still)

As poetry films and videos enter the cultural mainstream, they are being put to a variety of political and commercial uses. But this growing relevance brings into sharper relief questions that have always dogged them, given how difficult and expensive it can be to produce them: Who gets to make videopoems and poetry films? Whose stories get told? Whose creative license is at stake? Continue Reading