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  • Swoon 3:04 pm on April 24, 2012 Permalink | Reply
    Tags: , , Swoon   

    Filmmaker seeks poet 

    I am looking for a writer who is willing to let these three films inspire him/her to write three poems for them…

    Look and listen…absorb…look and listen some more…and write…

    I’m looking for three new poems (please use the titles of the films) written for these three videos:

    Disturbance in the maze
    Wailing Wall Crumbs
    Ghostless Blues (The story of Vladimir K.)

    More info, mail me: swoonbildos@gmail.com

     
  • Dave Bonta 4:03 am on January 6, 2012 Permalink | Reply
    Tags: , David Tomaloff, , Swoon   

    Videopoetry makers Swoon and David Tomaloff featured at CoronationPress.com 

    Check out this terrific interview with Belgian filmmaker Swoon and American poet David Tomaloff about their recent collaboration on a triptych of videopoems. I loved learning about their collaborative process and how they thought of each other’s work, and as an amateur maker of videopoems I was especially impressed by some of Swoon’s thoughts about his approach, such as:

    I love working with found material. Trying to give images, shot for a whole other purpose by someone you don’t know in a place you’ve never been, a new life and, more important so, a new meaning, is very liberating. It gives you a weird sense of power. Even the material I shoot myself is often not shot directly for a specific film. I try to build a library of images, shot by me and found footage, where I can wander around in when making a new film. On the other hand, it’s also very nice if I can shoot images the way I want them to be for a specific idea and poem.

    Read the rest (and watch the triptych).

     
  • Nic Sebastian 3:33 pm on September 1, 2011 Permalink | Reply
    Tags: cello dreams, , , Swoon, videopoem triptych, whale sound   

    Call for submissions or your poems are dying to be a videopoem triptych 

    Whale Sound, Cello Dreams and Swoon are looking for poems with which to create a videopoem triptych.

    Do you have a group of three poems you’d like to have published as videopoems? They could be three of your own poems, a set of three separate-but-related poems by you and two other poets, or a set of three poems written collaboratively by two or more poets.

    We are a trio of artists — Nic Sebastian, poet/reader; Kathy McTavish, musician; and Swoon, film-maker — who have come together to pioneer this novel method of poetry publication.

    Flight, a videopoem based on a poem by Helen Vitoria, is an example of our collaboration.

    To get a sense of how your videopoem triptych would look and sound after publication, visit Night Vision.

    Send 3 to 5 poems in the body of an email to Nic at nic_sebastian at hotmail dot com or Swoon at swoonbildos at gmail dot com.

     
    • Dave Bonta 4:01 pm on September 1, 2011 Permalink | Reply

      Terrific initiative! Can’t wait to see what comes out of it.

    • Swoon 4:03 pm on September 1, 2011 Permalink | Reply

      Thanks Dave. Really!

    • Donna vorreyer 4:32 pm on September 1, 2011 Permalink | Reply

      This is a wonderful idea…deadline?

    • hassan al falak 4:12 pm on March 8, 2012 Permalink | Reply

      what an interesting concept,sorry i am too late.i have just finished the performance of a trio of my poems (i am also a choreographer ad performance artist) and we will this month make a video. it would have been interesting to collaborate in this way. i like your site! please visit mine!

  • Dave Bonta 4:43 pm on August 24, 2011 Permalink | Reply
    Tags: process, Sherry O'Keefe, Swoon,   

    Interview with poetry-filmmaker Swoon 

    Montana-based poet Sherry O’Keefe has posted a great interview with the Belgian artist Swoon Bildos (Marc Neys) at her blog. Marc talks about his process, his background, and how he got into making videopoetry. It was gratifying to learn what a role Moving Poems has played in encouraging him. And Marc’s thoughts about what makes an effective videopoem are very much in line with my own:

    I (most of the time) try not to use obvious images. For several of my videos I used ‘city-landscape and crowded places’ where the poem is more ‘rural’, It often surprised viewers, but they like it on a second note.

    I catch myself thinking in the same way; for instance for ‘The Universe’ (my last video, Poem Neil Ellman) I thought about using Ice, Northern light,… I even tried it out…then said no and turned it around.

    It’s that turning around that I’m not afraid of. Be prepared to turn your work around, inside out…but with a gut-feeling.

    Read the rest.

     
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